Thursday 31 March 2016

With Romance Novels Booming, Beefcake Sells, but It Doesn’t Pay


Jason Aaron Baca is good-looking, not handsome like the Ryans (Gosling and Reynolds) or rugged like Daniel Craig, who is fetching in a tailored Tom Ford suit. But when Mr. Baca, 42, slipped on a pair of dark aviator glasses recently, he looked remarkably like Tom Cruise in “Top Gun.”

He was dressed for work in a khaki military jumpsuit. And even though it was barely noon, he had already stopped by the gym to make sure his biceps and legs looked combat-strong. His assignment: To be a military helicopter pilot saved in a crash by a female rescuer with whom he once had a torrid affair. Reunited, their passions have flared.

Mr. Baca is a cover model for romance novels. He has been on nearly 500 book covers, by his own account — one of scores of men like him vying to be heroic heartthrobs. Not since the flaxen-haired Fabio Lanzoni dominated drugstore book racks in the 1980s and 1990s, with his lion’s mane and bulging biceps, have cover models been in such demand.

After a few more clicks of the shutter, he and Ms. Shao paused to examine his work on a 2-by-4-foot television screen. “It looks good because it has everything,” Mr. Baca said. The smoldering gaze. A glimpse of his six-pack abs. Mr. Baca had even thrust his pelvis forward, a trick he learned to make his stomach appear flatter and ensure the ladies looked, well, you know, there.

Romance writers and publishers, as it happens, are among publishing’s most innovative participants. They were early to digital serialization. Book sellers, too, now crowdsource ideas to find fresh writers. And if you want to explore a virtual relationship, you can try a romance-novel app.

How hot are romance novels? Over all, annual sales totaled $1.08 billion in 2013, according to the Romance Writers of America, which tracks sales. And their popularity is expected to grow. Last year Scribd, an e-book subscription service, sharply reduced the number of romance and erotica novels it offered because it couldn’t afford to keep up with readers’ appetites. (Scribd pays publishers every time a book is read and loses money if a book is too popular.)

Despite the perception that blockbusters like “Fifty Shades of Grey” drive sales, self-publishing has proved a boon for this particular genre. E-books make up nearly 40 percent of all purchases, according to the writers group. And there are categories for every reader’s taste, among them, adventure, Christian, multicultural, L.G.B.T. and paranormal.

Enter Mr. Baca. Authors and publishers require a revolving door of new faces, which, while hard to estimate, tally somewhere in the hundreds each year.
“I never thought I would say this,” said Liz Pelletier, the chief executive of the romance novel company Entangled Publishing. “But I am so tired of looking at men’s abs. I don’t know if these ones are sexier than those other ones.”

“It used to be that everyone wanted Fabio,” she added. Today, though, individualism prevails. “Readers don’t want every book to have the same face.”

It was January and Ms. Pelletier was bemoaning how tough the search for a perfect cover model can be. Entangled Publishing is five years old, one of the newer entrants to an industry whose identity is synonymous with Harlequin, the Canadian publisher, which in the early 1950s started publishing chaste romance stories set in hospitals and medical offices.

Harlequin reached its zenith in the United States in the 1970s when reader appetite shifted to more sexually explicit fare, known as “bodice rippers” or “sweet and savages.”

Sexy still sells. At Brazen, Entangled’s more risqué fiction line, Ms. Pelletier said book covers with male models sold three times more than with a woman alone. And for new authors in particular, “the cover is really critical,” said Dianne Moggy, vice president for romance fiction at Harlequin.

Written:By LAURA M. HOLSON

Source New York Times

The Sock Queen of Alabama


Nine years ago, when she was 27 and unhappily selling real estate, Gina Locklear went to her parents with a proposition. She wanted to make socks. Not the basic white socks the family had specialized in, but fashionable socks, with organic cotton and dyes.

“I want to get into the sock business,” she told them. “I want to make a sustainable sock.”

Ms. Locklear, now 36, grew up in the business. Her parents, Terry and Regina Locklear, started a mill in Fort Payne, Ala., in 1991. They made white sport socks for Russell Athletic, millions of them, destined for big-box stores and your own feet if you took gym class.

Gina’s younger sister, Emily, recalled the girls going to the mill after school, where they helped their parents sort socks into dozens or played in the bins. Named after the two daughters, Emi-G Knitting bought the Locklears a house, bought Terry a vintage Corvette and paid for the girls’ college educations.

Still, the idea of Gina and her parents making organic fashion socks, or any socks at all, seemed totally crazy, given the time and place.

The mid-2000s was a devastating period for Fort Payne. Nestled in the state’s mountainous northeast, the town of 14,000 had for decades billed itself as “the Sock Capital of the World.” The cushioned sock was invented here, and one in every eight pairs of socks sold globally was said to be knitted in Fort Payne.

At the industry’s peak in the 1990s, more than 120 mills employed roughly 7,500 workers. But cheap foreign labor and free-trade agreements made the town a loser in the game of global economics. Seemingly overnight, the mills closed, and the new Fort Payne became a town in China called Datang. The 2008 financial crisis finished off those who were still hanging on.
The Locklears held on to their mill, but barely. Orders dried up, including those from Russell Athletic, and they cut the work force to almost nothing. Terry’s goal was to keep the lights on, because he knew if he and Regina closed the doors and turned the power off, they’d never start back up.

“We’d just come here and sit,” Terry said. “We would talk, and it was, like, ‘I just don’t know what we’re going to do.’ We still had our knowledge.”

It was during these depths that Gina approached her parents with her idea. While almost everyone else in the sock business was being thrown to the exits, she passionately wanted in. “I was 12 when my parents started making socks,” Gina said. “And the realization that our family business might close made me mad.”

Her parents were skeptical. They knew how hard it was to compete and how much money it would take to start a brand. They didn’t get the whole organic thing. Most of all, they didn’t want their oldest daughter to do something she’d soon regret or tire of.

“But it’s been everything except any of that,” her father said.

Her mother added: “She absolutely loves what she does. She’s on fire.”

When you hear the words textile mill, you may picture a brick building a century old and as big as a city block. You may hear the clack-clack of jittery machinery. But Emi-G Knitting is a modern contained operation in a squat metal building on the outskirts of Fort Payne.

One recent morning, Gina was in her office, working on spring orders. She produces two lines: Zkano, an online brand she started in 2008, and Little River Sock Mill, which was started in 2013 and is sold in stores like Margaret O’Leary in Manhattan.

Zkano’s “crews” and “no shows” are a youthful riot of stripes and colors, while the Little River socks are more refined (the fall line was based on Southern quilt patterns). Both cost $13 to $30 a pair.

Going organic (the cotton comes from a farm in Lubbock, Tex., the dyes from North Carolina) has given Gina a marketing niche. Her socks appeal to millennials, who study labels and like a compelling origin story.
“I’m not sure most customers can detect it, but it’s certainly a bonus that they’re made from organic cotton — it adds a point of difference,” said Billy Reid, the Alabama-based men’s wear designer, who partnered with Gina to make socks based on his designs.

Last fall, Martha Stewart and the editors of Martha Stewart Living presented Gina with an American Made award, which they give each year to a few artisans and small-business owners to provide a boost of recognition.

“Encouraging the American public to buy American-made matters,” Ms. Stewart said. “The more socks she sells, the more people she can employ.”


Indeed, the humble sock is having a moment. Brands like Stance Socks, which partnered with Rihanna on a collection, and Slate & Stone are selling vibrant hosiery, or pop socks, while Miu Miu recently outfitted runway models in marled and argyle socks.

Gina plans to introduce men’s socks to Little River this fall. Zkano already offers them. Tony Hale’s character on “Veep” wears Zkano socks, as does the actor himself.

Gina notices socks everywhere she goes, and in winter wears two pairs, one during daytime, another to bed. Her office décor is entirely hosiery-related: spools of candy-colored yarn on a shelf, mateless samples pinned to corkboards.
She lives with her husband, Al Vreeland, in Birmingham, Ala., an hour and a half’s drive away, and spends part of each week in Fort Payne, staying in her childhood bedroom. Her husband, a lawyer, is “cool” with the arrangement, she said, adding, “It’s been this way ever since we started dating.”

They were married three years ago, during the busy holiday season, at a chapel in Santa Fe, N.M., on a Saturday. “We came home on Sunday,” she said. “And then I went to Fort Payne on Monday. And that’s my life.”

When she’s at the mill, her focus is on the knitting machines and whether they are aiding or conspiring against her. The machines are aqua blue and boxy like ovens. Above them, a halo of metalwork holds the yarn being fed into their bellies. Gina watched a machine work, and after a moment, in a Willy Wonka flourish, a plastic tube spit out an orange-striped sock.

“I love that,” she said.

Pointing to a machine that was noticeably different from the others, she said: “It’s the newest sock machine you can get. It’s made in Italy. It’s like a Ferrari.”

She spotted Vance Veal, Emi-G’s plant manager, and waved him over. When her parents laid off all but their most vital workers, they kept him on the payroll. Mr. Veal, 48, has worked in sock mills since he was 18. His grandparents, mother and brothers worked in the mills, too.

Since Gina came along with her six-color fashion socks, he has made the machines do things no one at Emi-G thought possible, himself included. “We didn’t used to make pattern socks,” Mr. Veal said. “Gina keeps me on my toes. She’s made me better at what I do.”

In a honeyed voice, Gina said, “Vance is the most patient person ever.”

With Mr. Veal’s expertise, Gina can make socks in small batches on site, fine-tuning and experimenting with colors, patterns and materials. It’s a competitive advantage. But running a sock mill in the age of globalization is a “roller coaster,” she said. Her parents’ business making specialty athletic socks now comes in fits and bursts, nothing like the steady, profitable Russell contract. And Zkano and Little River don’t yet sell enough to sustain the mill alone.

Last year, Emi-G downsized its work force from 45 to 30. If there is a customer service issue, Gina handles it herself — in addition to ordering yarn, designing both lines, doing social media marketing, processing credit card orders and lying awake nights with worry.
“If something happened to Vance, I wouldn’t know what we would do,” she said later. “When the sock industry left, a lot of the workers left town, and their knowledge left, too.”

Gina and her parents drove into town to have lunch at what’s referred to in Fort Payne as the Big Mill. Now an antique store and restaurant, the Big Mill is indeed a century-old brick building as big as a city block. It’s where W. B. Davis ran the town’s first hosiery mill in the early-1900s. It’s the building that begot an industry.

Over pimento cheese sandwiches, Terry and Regina recalled their beginnings. Terry’s mother had worked in a mill, and his older brother owned one. When he was miserable selling cars down in Tuscaloosa, it seemed natural to come home and try socks.

Asked if the current building was their original location, Terry, who is 71 and has a bashful charm, said: “No. I’m almost ashamed to tell you. We started in a renovated chicken house.”

There was no air-conditioning. In the summer, they would open the big doors on both ends to get a little breeze going. “Birds would fly through while we worked,” Terry said.

With so few mills left in Fort Payne, Gina and her parents are now the old guard. But with the industry’s diminishment, they carry little of the economic or civic power of the mill owners before them.

Framed portraits of men like Mr. Davis and W. H. Cobble Sr. hang inside the Hosiery Museum, in a historic storefront downtown. The photo of V. I. Prewett, the founder of Prewett Mills, shows a gray-haired man holding a pair of tube socks.

Among the museum’s historic machinery is a brass whistle on a pole that was once used to signal the start of the workday at the Big Mill. In the morning darkness, said Olivia Cox, the vice president of landmarks for DeKalb County, Ala., the mountainside behind the factory appeared “lit by fireflies,” with the workers “walking down footpaths by lantern light to get to the Big Mill before that whistle blew.”
Everyone in Fort Payne was touched by the hosiery industry in some way. That night, Gina stopped for dinner at a barbecue place in town; the young man behind the counter had worked in a machine shop that repaired the type of knitters Emi-G uses. His name was Bo Doeg.
He and Gina got to reminiscing about Hosiery Week, a yearly festival that Mr. Doeg described as “Mardi Gras — but for socks.”

Mr. Doeg shook his head. “This is a different world than it used to be,” he said. “Have you seen the vast number of empty buildings?”

Gina was back at the mill by 8:30 the next morning, logging orders from store buyers and considering ideas for the next Little River line, which she develops with a designer in Birmingham. “We’re thinking about Appalachian florals,” she said.

She talked about the challenges she faces, from getting organic cotton at a good price to wanting a family but not knowing how, since she spends so much time at the mill. “I’ll just be honest, it’s been a struggle,” she said.

But she is determined to keep going, to make Fort Payne a place where socks are once again made by the millions.

Written: By STEVEN KURUTZ

Source: New York Times

Wednesday 30 March 2016

How a jacket should fit


Ladies jackets are notoriously hard to shop for. Not only are there endless colours, fabrics and cuts to consider, we’re then left to face the unappealing task of finding the perfect fit.

With one jacket style comes a number of variations. Do you plump for a longline blazer, something oversized or a cropped, boxy version complete with shoulder pads? It’s enough to confuse even the savviest shopper.

To make life that little bit easier, we’ve narrowed down the chicest styles and what to look for when it comes to fit and fabric.

Tweed

The look du jour never varies much when it comes to the tweed jacket, which is both reassuring and pleasing when parting with your hard earned cash. Stick to cropped, collarless styles that stop just short of the wrist. Narrow shoulders should go for something with shape. Look to Hobbs and LK Bennett for workwear-appropriate styles, or for something a little fancier, try Balenciaga.
The blazer

The look to be seen in at the moment is double breasted, longer in length – sitting just below the hip – fitting neatly at the shoulder with a slim lapel. Petite frames should look for shorter, single breasted cuts in light, fluid fabrics. Topshop is the destination for evening styles, and Reiss for something sleek and smart.


Leather

The leather jacket takes on many forms, but the one to be seen in is undoubtedly the biker. Forget studs and poppers, the leather biker is sleek, super-soft and incredibly flattering. The shape should be roomy enough to throw on over light knits, and fall just around hip height, if not an inch or too shorter. Whistles is the destination for tough-looking styles that only get better with age, or try ASOS for modern cuts in cheery shades.

Velvet

If like Alexa, you’re a big fan of the velvet jacket, but can’t quite work it into your wardrobe, here’s what you need to know. The shape should always be a slim-fit blazer. When worn with a dainty top and skinny jeans the look is all kinds of chic and requires very little effort styling-wise. Stick to dark shades of navy, grey and plum tones.

Denim

No wardrobe is complete without one, and it’s every bit as chic now as it was stone-washed in the 80s – the denim jacket is a must-have. The good news? The fit is pretty standard. Oversized shapes look achingly cool over floaty floral dresses, while classic cuts - seen here on Fashion Me Now’s Lucy Williams – look effortlessly chic year in, year out. Choose mid-wash denim and avoid anything too distressed or embellished to get the look right. 

The statement 

Think the statement jacket is impossible to wear? Think again. Stick to a form-fitting number - preferably cinched in at the waist, much like Kate Foley's powder blue look - and wear with denim, midi dresses and culottes. Head to H&M for purse-friendly options, and for something standout, try MATCHESFASHION.com.


Written by: Barbara McMillan 

Source:http://www.telegraph.co.uk/

21 simple styling tips to bring your wardrobe bang up-to-date


From backless loafers to bright Breton stripes, here's some styling tips to switch up your outfit now it's sunny again

CREDIT: CHIARA MARINA GRIONI

Source:http://www.telegraph.co.uk/

How to layer clothes for spring


Layering for spring is something to celebrate. With the weather still a little on the unpredictable side, naturally it pays to consider warmth, but the overall look is less about keeping cosy, and more about wearing all your favourite new season staples at once. 

Much like cooler seasons, there’s some simple rules to stick to. Do consider colours when mixing-and-matching, be sure to avoid anything too bulky and stick to a maximum of three separates at one time when executing your spring layered look.

Here’s how to get it right.

More is more

The silky camisole and roll neck knit make for quite the stylish combination when matched-up. Throw in a tan suede button-up maxi shirt, ankle-grazing jeans, a pair of black fishnet socks and the Gucci loafers of the season and you’ve got yourself a winning look.

The simple slip is a power player

Sometimes the simplest things are the best, and this rule also applies here. Take your cue from DKNY and match a basic white tee with a silky slip dress for an understated look. Add interest with a wrap around belt, a red lip and gold hoops.

Have fun with your sleeves

Consider the sleeve to be the new neckline. Here is where all the fun happens. Choose oversized cuffs, silk swishy ruffle styles to be worn under blazers, or go for added volume and opt for something with plenty of puff. Wear under jumpsuits, fine knit sweaters and midi dresses.

The trouser tunic combo

Dip your toe in the trend and start small with a floaty frock worn over trousers. Cropped or flared trouser styles work best and always stick to contrasting tones.

Wear eveningwear as outerwear

The adventurous option for dedicated layering fans. That sports-style zip-top should be teamed with your A-line evening midi, a fluid trench coat and a pair of punchy heels.  

Slip something strapless over your shirt

There’s a new way to wear your bandeau top, and that’s over your workwear shirt. The pairing is one of the chicest looks for Spring, plus, you’ll get extra mileage from your favourite party pieces. Shirts can be printed, oversized and untucked, while strapless tops should be form-fitting and in neutral shades.

Experiment with length

For spring, the tuxedo jacket takes on a new guise. Whether it’s sleeveless and longer in length or a classic mid-length cut, when worn over a utility-style maxi dress with cropped trousers and heels it’s an elegant way to tackle spring layering.



Written by: Barbara McMillan 

Source:http://www.telegraph.co.uk/

How to wear a maxi dress


Think there's just one way to wear the maxi dress? Think again. From attention-seeking brights to laid-back looks perfect for the weekend, there's no styling option off limits.

Here's how the best-dressed street stylers wear theirs. 

The one for work

Smart, column-style shapes are perfect for the office. Go for a sleek monochromatic palette and add height with a pointed suede court. For a pop of colour, try a contrasting top handle tote bag or a slick of red lipstick.

The classic denim jacket combo

It's a look that never seems to fall out of fashion for good reason. Casual and oversized, cropped and frayed - throw on your hero denim jacket with any style maxi for the ultimate off-duty look.

Refresh your posh maxi with a pair of trophy trainers

Make your evening option work even harder and take your cue from Chiara Ferragni who wears hers with a pair of crisp white trainers.

Be bold with print

Abstract prints can be pretty. Choose a chic off-the-shoulder shape and a fitted waist to make your statement motif feel instantly elegant.

Feel ultra fancy in something floaty

The joy of a super-sized maxi dress. Choose shapes with a fitted neckline, floor-grazing lengths and lashings of fabric. Wear with heels for extra swish.

Elevate your maxi with tonal accessories

Lift your look with the addition of a few key accessories. Stick to one colour and choose subtle styles that work well together. A black  suede platform will compliment a leather clutch and sleek hairband, while evening styles call for flashes of gold jewellery and high-shine heels.

Go matchy-matchy

Sling a matching maxi coat over the top for a smart, street style-worthy look. Roll up the sleeves and belt at the waist with calf-height ankle boots to finish the look.

Embrace folk

The fash-pack has given folk-style frocks their super-stylish seal of approval, and there's no better way to work the trend than in a printed floor-length maxi. Martha Ward wears hers with classic tan accessories and fuss-free hair. 

The splice

Turn your button-up maxi into something altogether more cool and wear over shorts, belted at the waist with plenty of split-action at the front for maximum impact.


Written by: Barbara McMillan 

Source:http://www.telegraph.co.uk/

40 high street hits that'll make being back at work worth it


Trench capes and summer tops in sugary hues are tempting us onto the high street this week

Credit:Telegraph Fashion

Source:http://www.telegraph.co.uk/

Jane Birkin’s new Saint Laurent campaign is another sign fashion might finally be embracing grown-ups


Hedi Slimane’s latest catwalk collection for Saint Laurent might have been an homage to the 1980’s that was brilliantly constructed but difficult to wear in reality by anyone other than Lady Gaga, but his latest campaign seems designed to do the very opposite: appeal to grown-up women. Slimane has signed 69-year-old Jane Birkin for his latest campaign.

The French actress, whose style inspired the world’s most famous handbag The Hermes Birkin bag, is pictured grinning casually whilst wearing one of Saint Laurent’s most iconic items - Le Smoking tuxedo. Slimane broke the pictures of Birkin on his twitter feed, which had been taken in Saint Laurent's newly revived couture house earlier this month. It's a rare fashion appearance from Birkin, whose nonchalance style has been much copied and commented on since she the 1960's despite the fact that she keeps a low profile.

Of course, it shouldn’t be controversial that a grown up woman is modelling the epitome of a grown up jacket - and one that starts at £1,690. But until very recently, the average age of a model in super-expensive clothes was around 18.

Still, it seems that change might be afoot. Sophia Loren, 81, has featured in Dolce & Gabbana’s new campaigns and Bette Midler, 70, was cast by Marc Jacobs as one of his Spring campaign women. But, whilst some might critique that the casting of these mature women is as tokenistic as fashion’s long-held obsession with youth, it would be churlish to deny there’s been a refreshing movement to reflect and cater to a wider demographic in fashion campaigns this season.

For Balmain’s campaigns, designer Olivier Rousteing reunited three of the original “supers” – Cindy Crawford (49), Naomi Campbell (45) and Claudia Schiffer (45). Calvin Klein’s joyful pictures showed mother and daughter Lisa Bonet (48) and Zoe Kravitz (27), all full of beachy abandon.

And earlier this year Giorgio Armani launched a range of everyday luxury classics called the New Normal with Yasmin Le Bon (51), Nadja Auermann (44), Stella Tennant (45) and Eva Herzigová (42). Armani says the collection reflects a “desire to dress women in their daily lives. It offers garments that maintain the values of elegance and dignity, and at the same time a reflection of modernity.” This from a designer who also triumphed at the Oscars by dressing three older red carpet icons Cate Blanchett, Naomi Watts and Charlotte Rampling in stellar dresses.

If fashion designers have finally started realising that grown-ups want to see their clothes on women they can relate to, it’s about time. “For too long fashion has targeted very young girls, ignoring the swathe of older, confident consumers who have a high disposable income and are unsaddled by debt. They are a powerful and stylish army and don’t particularly want to dress in a uniform of wrap dress and nude court shoes,” Stella Editor Marianne Jones, 50, once said of this stylish demographic of women.

But whilst the signs are encouraging, there’s still a long way to go. Recent research showed that 58% of the approximately 12 million females over 50 in the UK (four million of whom are between 50 and 64) said they felt woefully under-represented on the high street. So let’s hope Birkin’s beautiful imagery for Saint Laurent isn’t just another designer fashion campaign designed to make headlines around the web - which loves nothing more than a controversial fashion image - but another sign that the industry is beginning to acknowledge that grown-up women can sell clothes. Because grown-up women are buying clothes.   

Source:http://www.telegraph.co.uk/

Why this summer's coolest accessories come with pompoms


It’s the first official week of summer, and we’re feeling optimistic. In that spirit, we bring you news of fashion’s sweetest accompaniment: the humble pompom or pomme-pomme if one likes to be French about these things. I know, last week it was all minimalist stark white trainers and navy t-shirts and now we’re advocating small multi-coloured Mexican fluff-balls. It must be the promise of vitamin D. Disclaimer: we never said we weren’t capricious. Then again, even Phoebe Philo, the mistress of minimalism adorned her Celine trouser hems with pompoms last year, so arguably  (like most trends) she started it. 

Reassuringly, for those of us who like a little historical weight to our affectations no matter how flighty, the humble pompom has been a de rigueur touch to national costumes for centuries. In South America, small vibrant-hued ones line the edges of dresses, whilst larger fluffier sorts bounce cheerfully from the neck. The Hungarian cavalry popped them atop their helmets, as did Norwegians and Scotsmen (those jolly red poms known as a Toorie).


Merino wool sweater, £69 & Other Stories, Pompom espadrilles, £80 Uterque, Colourful pompom and bead necklace, £17.99 Zara 

Pompoms effectively are the point at which ceremonial and silly meet, bringing with their little flouncy selves a jolt of light heartedness. No one could be in a bad mood in the presence of a pompom which is why we’re all for their encouragement. 

The ever-jolly Edgardo Osorio, designer of the fast rising shoe label Aquazzura which this month hosts a pop-up store at Harrods, has covered his spring summer collection in sweet raffia confections. “I was inspired by Barbara Berger, she’s one of the world’s biggest jewellery collectors, and her house in Mexico is full of pompoms” says Osorio. “She has a lady in her house who makes pompoms all year long. I’m obsessed with them right now; we’ve made disco ball paillettes pompoms and these raffia straw ones. Each pompom is made by hand out of natural raffia then dyed, it takes 25 minutes to make each individual one. They look quite simple but there’s a lot of work in them. I call them happy shoes that make you want to go on holiday, isn’t that all you need?”

Embroidered clutch, £75, Monya, Asos, Merino wool pompom sweater, £69 & Other Stories, Pompom small basket, £75, Rae Feather,  Pompom flats, £470, Aquazzura, Harrods  

He’s not alone in his pompom-ery: Rae Feather’s traditional straw baskets are be-pommed, and offer the chance for your own stamp on them – literally, they will personalise with your initials. Pomme Pomme London have fun hooped pompom earrings as well as hair accessories,  Zara have raided their Spanish roots and come up with this artisanal necklace which is just the thing to jazz up tired or plain T-shirts. For those who would chafe against too much colour, try Uterqüe for these grown up espadrilles, or & Other Stories’s subtle-y enlivened grey knit (we’ve really not forgotten our minimalist leanings). If you’re frowning at the thought of splashing out on what could be seen as a child’s rainy day activity, try V V Rouleaux (pompom fringe, £12.50/metre vvrouleaux.com) or take yourself back to Sunday School with Christine Leech’s wonderful book Pompomania in which she offers updated techniques (plastic pompom makers now exist for all those not in the crafty know) and patterns (stripey, spotty, or even emoji-based) so you can create your very own adornments.

Pompomania by Christine Leech, Quadrille, £3.99 Amazon

Christine Leech's tips for pompom-ing your own straw bag:

1. Using a pompom maker (follow instructions from maker) make nine medium sized pompoms in different colours.  2. Remove from the maker and trim to a neat sphere. Leave the two long tails of wool used to secure the Pom in step one.

3. With a large needle and one of the wool tails sew the pompom into position on the bag then repeat with the second tail and knot together on the inside of the bag (alternatively you can use a glue gun).  

Written by: Victoria Moss

Source:http://www.telegraph.co.uk/

Tuesday 29 March 2016

Hands up if you want to live in a Gucci world?


Gucci have just released its pre-fall 2016 campaign, and it's making us want to live in a Gucci greenhouse - or at least get our hands on the stripey cat jumper. Congratulations to Alessandro Michele for now making us want to redecorate, at the same time as overhauling our wardrobe...

Credit: Gucci

Source:http://www.telegraph.co.uk/

Of course Lady Gaga was the first person to wear Saint Laurent's 80s power shoulders


In 1966 Saint Laurent declared that couture was dead, but at Paris Fashion Week last month Hedi Slimane reignited Saint Laurent couture with a highly-charged 80s collection. The models looked like they were en route to Paris nightclub, Le Palace, with 80s shoulders, mini skirts, prom dresses, gold lamé and a lot of red lipstick. It wasn't exactly a wearable collection, but looked like it was designed especially for one person: Lady Gaga.

So of course, Slimane devotee Lady Gaga had first dibs on the collection, wearing a gold prom queen dress to a club in Los Angeles this weekend for her 30th birthday celebrations. She wore a disco-ready gold sequin mini dress with exaggerated puffball shoulders, cinched in at the waist with the black buckled belt that was also seen on the runway.

Never one to shy away from a look, Gaga paired it with monster black peep-toe platforms, matching glossy red talons and lipstick and a museum-worthy diamond choker - and sending those who lived through the 80's and hoped it'd disappeared forever more, into slight panic. 

The singer, who celebrated her 30th birthday on Monday, celebrated her birthday on Saturday night with fiancé, Taylor Kinney, Taylor Swift, Lorde, Kate Hudson, Chrissy Teigen, John Legend and Lana Del Rey. Expect to see her in Saint Laurent's cobalt blue furry power coat any day now...

Written by: Emma Spedding 

Source:http://www.telegraph.co.uk/

Subscription box service: Thinking outside the box


Most of us are shopping addicts. The first thing people think about spending weekends or when they get a pay check is how they can escape to that mall and be part of the shopping frenzy. Fibre2Fashion.com checks out the subscription box.

Although most of us enjoy shopping for clothes and trying them on, there are those who remain shopping challenged, are restricted by schedules or are economically restrained. 

That's when someone comes knocking on the door with a subscription box. Subscription box services are marketing solutions used by retail companies, mostly ecommerce businesses, giving people with different backgrounds an access to a wider range of products. The overall global market size of subscription box services is still unknown due to minimal data available and the growing stage of the industry. 

What's this service? 
While this delivery service system is still at a nascent stage in India, the idea has picked up in the United States of America and other parts of the world. So, how does this really work? 

Top-notch brands and ecommerce companies cater to niche markets by offering curated new clothes and other retail products to customers, depending on their personal preferences. There is also an element of surprise attached with the box. Some companies provide pre-assembled hampers instead of asking customers to select their own products, eliminating decision fatigue in the process. 

The reason this box service is catching up is because shipments are sent each month to customers, or as per the policies employed by individual retail companies. This provides customers the thrill of opening the package, just like on any special occasion. Generally, prices of each packaged box range from US$ 10 to US$ 100, which roughly translates to Rs 645 to Rs 6,450. 

Darby Smart, a US-based online subscription box company, offers do-it-yourself (DIY) kits assembled by a huge community of designers, giving an option of mixing latest fashion with home trends on fingertips. Customers have to go through a string of instructions provided under the DIY project, which gives them their own sense of personal fashion style... 

Written by: Fibre2Fashion.com

Source:http://www.fibre2fashion.com/

Germany: The year in retrospect


The bankruptcy of Karstadt, the end of Bread & Butter, and the entry of Chinese companies were some major headlines that dominated in Germany, writes Regina Henkel. 

Both a plethora of problems and a number of new developments made the fashion headlines in 2015. The exhibition landscape changed significantly, and retail continues to be challenged by the ever-growing relevance of e-commerce. And while classical retail is trying to stabilise its business, online giants are battling against each other. 

The bankruptcies
Almost a permanent fixture in the headlines was department store group Karstadt. The bankruptcy of the Arcandor mother company, which itself went insolvent six years ago, will still take "many years" to find its footing again, the liquidator said in November, according to the German Press Agency. The reasons were mainly litigations, including those against numerous former managers of the group, like former top executive Thomas Middelhoff. In all, 37,500 creditors are asking for €1.2 billion, according to the report of the liquidator. At the same time, reports of real estate sales of Karstadt stores have been coming in. 

Another bankruptcy that affected the fashion industry was the end of Bread & Butter. In December 2014, the bankruptcy sounded like a drumbeat through the denim and sportswear industry. Although the show reported repeatedly about lower exhibitor and visitor numbers, the daring plans of CEO Karl-Heinz Muller polarised the denim community, and the end of the show came for many quite abruptly. But even more surprising was the news of the takeover of the fair by the Berlin e-commerce giant Zalando. His idea: Bread & Butter should continue to take place on the grounds of Tempelhof Airport in Berlin-but no more as a fair, but as a fashion event for consumers. The premiere of the new concept-that Muller had wanted to realise earlier, but had failed due to the resistance from brands-has been scheduled for January 2016. But in December, the Berlin Senate decided that the Tempelhof Field and the halls of the former airport would be used as refugee shelters until the end of 2019... 

Written by: Regina Henkel

Source:http://www.fibre2fashion.com/

Handicraft & handloom: Crafting a strategy


The land of India is bestowed with crafts, so many that you can keep counting. India has been endowed with a gift that is unique, and yet in abundance. A judicious and intelligent use and development of these crafts can be an inexhaustible benefit that become a lifeline for a nation like ours, feels Manish Saksena

Every state, and within it every little village, in India has its own creative interpretation of its indigenous resources-leading to the creation of a piece of craft that is technically not replaceable or replicable, and is representative of that region.

The gamut is across clothing, jewellery, decor and even daily use objects that pretty much define and, at the same time, are derived from the region's lifestyle patterns.

The quality of the water in the rivers of Gujarat lends the vivid colours to its bandhini craft, and the beauty of these very colours adorn the women and men alike to effectively offset the arid desert surroundings. A fine example of a perfect balance and a perfect harmony among nature, its resources and its consumers. 

The context of the times
India is and has been on a road to modernisation and growth. It is bound to go global for it to be a successful and an influential economy. But, where and how does that objective find a place for its crafts, and these micro self-sustainable multi-economies that exist in its villages? How do we globalise them, and yet not take away their self-sufficiency? How do we make them walk the path of modernisation, and yet not uproot them? These are tough questions, which if answered well and strategised through, can help us develop a unique and successful economy that no other nation can replicate, but only envy. 

There are simple efforts, and then there are effective, intelligent efforts that have been done in the past to restore, revive and sustain our crafts. 

Let us look at some of the key factors that are indisputable, and require a focused thought in order to maintain this very tender balance... 

Written by: Manish Saksena

Source:http://www.fibre2fashion.com/